Cast: Imran Khan, Kangana Ranaut, Vivan Bhatena
Director: Nikhil Advani
Katti Batti film fails to instigate any emotion, leave aside loathing for its female protagonist. It’s a terribly bad film. A rehash of old Bollywood hits, Katti Batti is far from perfection. All the claims of a fresh love-story were false, it doesn’t offer anything.
32-year-old Imran Khan can pass off as a college student Madhav ‘Maddy’ Kabra. This Mumbai lad is in Ahmedabad to study architecture and for that all he needs to do is to carry a paper holster. After all, the film is about his never-lasting affair with Delhi girl Payal (Kangana Ranaut).
Somehow Maddy and Payal get into a live-in relationship, but one day the girl leaves him, forever, and the guy is shattered. But, he is not scarred for life because somewhere deep down in his heart he knows that Payal can’t be so heartless. And this realisation brings him back to life, but what if Payal is actually merciless? What if she was just toying with the idea of love? What if she was never in love with Maddy?
We’re told in the beginning that Maddy is battling post-split depression in a really bad way. His life is a mess, his friends are sympathetic but juvenile and his boss is nothing short of a caricature. After a few really bad gay jokes and suggestive scenes, we meet Ricky (Vivan Bhatena) who has a history with Madhav. This rich Delhi brat describes Payal as a ‘man-eater’ and then goes on to woo her for marriage. However, he is not the only confused character in the film. Madhav’s parents couldn’t guess his friends’ bluff when they organise a drama scene to hide his inebriated state. Imran Khan keeps coming in and out of his drunken condition as per his convenience. He delivers a dialogue in a firm voice and then goes back to his previous self. Ironically, a secondary character describes it as method acting.
Similarly, Payal, whose parents are conspicuously missing from the story, keeps struggling between the two sides of morality. She is college’s notorious pranksters and doesn’t think twice before befooling boys with her charm. But, she also has a super active conscience, so she wouldn’t do ‘that’ thing before entering into a live-in relationship. She has too many options in life and thus she hasn’t zeroed on any single hobby or pursuit yet.
And, don’t even think for a bit that these characters are confused because they’re written this way. These are developed without any imagination. Madhav and his friend Vinay keep fighting in the middle of their office and nobody reacts. They keep referring to a girl from the same office as ‘someone nice to sleep with’, but nobody cares. But, the world turns upside down the moment Payal gets mentioned.
Katti Batti fares badly in almost every department and the writing is the worst hit. The characters are shoddily written and it’s difficult to feel for any of the lead actors. The actors look clueless in absence of a coherent story. Consider this dialogue: Agar tumne zyada ungli ki toh taange tod ke haath me de dunga. You see the inconsistency? If not then try speaking this dialogue aloud and you would know the problem. Tushar Kapoor’s stunning cinematography gives some solace though.
Advani has used good transition tools, but they are ineffective because of average acting by both Imran and Kangana. The literal toilet humour of the second half makes life more difficult for the audience who witnesses a really prolonged climax for no apparent reasons.